
By Platypus
Chuck Prophet
Listening to Prophet's latest release, Soap and Water, brought this understated thought to mind: it rocks. Like the title implies, the album by and large is clean and simple, a showcase of the singer-songwriter-rocker's bread and butter. Lyrics and guitar riffs resound clear and true, accompanied by drums, bass, and touches of keys and backing vocals in just the right places. Though the lyrics often speak of heartbreak and wanderlust, Prophet's storytelling abilities lend his narratives an honest, endearing quality that made me often feel like I was listening to the man himself have a jam session on some small town front porch. This, folks, in many ways is American rock pure and true, unsullied by the gratuitous production fixings that seem to be everpresent in every other release today.
Yet for all its goodness, Chuck Prophet has always remained a performer who has successfully eluded being put into that proverbial box. The album is a journey through the many flavors of the ice cream parlor that is rock, taking scoops out of the blues ("A Woman's Voice"
Dare I venture to say that Chuck Prophet belongs in the pantheon of great musicians a la Dylan, Cash, and Springsteen that have graced the musical fabric of our nation? Some of you might say that's a bit of a stretch, but I said it, so there. I don't know how better to qualify this, but after taking a spin through Soap and Water again yesterday I was struck by the thought that this is a little bit of America right here. Not America in the sense of flag waving and nationalistic chest-beating, mind you, but America in the sense of telling stories of lives lived as they are, for better or worse. Soap and Water is a good clean romp in this department, product of a man and his craft. Take a dive in: you just may find yourself converted to the way of Chuck Prophet.














1 comments:
Platypus captures the essence here, and in no small measure by exegeting the name: one part suburban golly, one part soul search -- makes for a savory smirk stew. Yet all great humor makes a serious point, and Prophet's mastery of that art is on display here. Only by hearing (in devolving order) the seeming frivolity of "Freckle Song," the half-serious dare of "Let's Do Something Wrong," and the abandon of "Would You Love Me?" can the listener accept the earnestness at the core of Prophet's stuff, reflected in his chosen epigraph for this album, courtesy of John Cassavetes: "I have a one-track mind. That's all I'm interested in: love -- and the lack of it."
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