Wednesday, August 6, 2008

New Song Review: "Violet Hill" by Coldplay



by Old Man

I am finally a Coldplay fan. It took me this long...and I can tell you why: 1) The lack of diversity in songwriting. 2) Lack of lyrical sophistication. "Viva la Vida" has both.

This album Coldplay - Viva la Vida - Viva la Vida finally fulfills the potential of Coldplay - I predict this will go down as their "Joshua Tree U2 - The Joshua Tree (Deluxe Edition) [Remastered] - With or Without You," which essentially means non-esoteric music lovers will find it the start of a beautiful friendship and reviewers from highbrow websites like Pitchfork will try their best to distance themselves. Here is my favorite song - but not by far, as there are a lot of gems - on the album.

Violet Hill Coldplay - Viva la Vida - Violet Hill

"Was a long and dark December, from the rooftops I remember there was snow, white snow
Clearly I remember from the windows they were watching while we froze down below

When the future's architectured by a carnival of idiots on show you'd better lie low
If you love me won't you let me know?

Was a long and dark December when the banks became cathedrals and the fox, became God
Priests clutched onto bibles hollowed out to fit their rifles and the cross was held aloft

Bury me in armor when I’m dead and hit the ground my love's opposed but unfolds
If you love me won't you let me know?

I don't want to be a soldier who the captain of some sinking ship would stow, far below
So if you love me why'd you let me go?

I took my love down to violet hill there we sat in the snow
All that time she was silent still

So if you love me won't you let me know?
If you love me, won't you let me know?"

Chris Martin and friends have written a wonderfully complex song that manages to critique the Bush administration and conservative power base (FOX becomes a God - he owns up to that reference in the Rolling Stone interview) without sounding, well, boring. Every rock musician on the planet who wants to make a living seems to be liberal - as if there job depended on it. But Martin doesn't sacrifice the conservative nation it's dignity and soul in the process of his critiques, and begs them like he begs his lover "If you love me, won't you let me know."

I think, from Martin's perspective, a gesture of love, of compassion, of embrace could go a long way. Sure, from his perspective, in our country money may be God and our president may be the de facto Pope (though i think that's a big stretch) and the church may be too uninvolved in the decision for or against the war, but his questions ultimately remains one from a lover to him. Do you love me? Do you? Show it. Coldplay - Viva la Vida - Violet Hill

3 comments:

von Richthofen said...

I must I am surprised that you became a Coldplay convert Old Man! I think your review is spot on as to why this album will polarize people who either love or hate the band.

Personally, I still go back to Parachutes when I need a Coldplay fix. The songs are intimate and feature some of Martin's best melodies in my book. The lyrical content has gotten better with age and the dynamics are much more diverse but Parachutes caught the band before the hype and while the songs are epic, they are spot on emotionally.

Old Man said...

I can dig Parachutes - In thinking more about it, it may be the Eno influence that grabs me on this album, I love the dynamic changes in density as well as volume. The production is so good...

platypus said...

Been listening to this during my holiday...unmistakeably Eno with its big sound. "Lost" and "Lovers in Tokyo" really stood out for me in this regard. Ladies and gentlemen, we have a stadium band in our midst.